A precise duties
is appropriate, as well as a duty, return to the blog its connotation of origin and the character with which he had presented to the public at first operation: a blog created to establish a contact with potential readers direct and discuss with them amicably, the themes related to a literary event for more in gestation. But even more than this, and if anything, taking advantage of the opportunity offered by the event itself, there was - and still is - the idea of \u200b\u200boffering an open space, not bounded by any kind of ideological boundaries within which to confront with the ability to communicate, but also with a willingness to listen. So, not an arena of confrontation, let alone a stage on which claims to represent unscheduled apologetic.
On the other hand, it is understandable that at certain periods that have marked too tragically the course of our civilization there may be differences of interpretation and stances hotly: is human, even if scientifically questionable. The assertion that "history is never separated from the men who make it is to be signed without reservation. Likewise, I add, the institutions, all institutions, in every age and every sector of the human family are related, whether religious, political, social, not abstract entities - "reified" they say in sociology - but an expression, for good or worse, in the magnitude as in human misery, of men running through the discount and historically. History, cultural anthropology, sociology, together with other disciplines, are powerful means of investigation, the use prudent, balanced and non-instrumental allows them, among other things, to develop unbiased interpretations and thus determine, for the observer that he should serve a privileged position and must be characterized by the detachment evaluation absolutely necessary if you are interested in understanding and not judging, processes and facts relating to the journey of man on the planet.
Human institutions - because all human institutions - do not come to an autonomous and spontaneous creative act, and likewise, the cultural significance which is its heritage is not "mixed" and ready to use even when its origin myths before. It is stratified over time, by virtue of successive injections of those who represent the institutions at different levels. Therefore, their history can only be the story of the events they produce and the facts, as already mentioned, in turn, can not be separated from men. What then happens, sometimes or often (historically one can not help but take note), to which those facts are related to "bestiality egoreferente", and has been effectively pointed out, this is not surprising and especially should not lead us to withdraw into positions mystifying or documents. The human being is neither divine nor diabolical, or if you prefer, is one and the other thing together. Personally I am inclined to believe that the human being, and with it the human species, is simply going in, but with the power to exercise free choice, therefore, retains the responsibility along with freedom for their actions. Liability which can not be exorcised downloading it on external factors, whether natural or presumed divine.
All this said, no one is asked to share one position or another: identify with this or that idea is part of the individual path, which is a consequence of its history and is closely homologous to the structure and its individual nature. And while this in itself should be sufficient respect. At the same time, however, no one has even asked to judge this or that position. This blog, let us not forget that takes its cue from an initiative which claims to cultural considerations, to be a home for all, but of all those who recognize themselves in mutual respect and tolerance, which is not understood, at least by those who writes as hypocritical appeasement but as prerequisite of openness. It should perhaps be repeated: the comparison, though hard, not necessarily degenerate into conflict, and never a personal one. The discussion on the diversity of views leads to enlargement of the horizon and this is an objective visual enrichment.
Anyone who thinks they can bring to these few indications of civil partnership is welcome. Otherwise, retains the freedom to go and knock on more doors and get into other houses, where guests will certainly find rooms and responsive to their attitudes.
handicapped in this way the soil from confusion over the present and future, your Ennio awaits you with the enthusiasm and interest than ever.
Wednesday, October 28, 2009
Sunday, October 25, 2009
Saturday, October 24, 2009
Swelling Of Foot After Pedicure
Happy bird-day mister president
And no eh! That can go right with starlets and handsome escort and the Left always and only with the trans? But it is truly amazing ... I do not know what to wish: the pleasure-leader of beautiful women or Savonarola.

But where is a level playing field? Sunday I go to the Democratic Party primary, I swear, and the secretary of the vote largest opposition party in perpetuity.
Bersani course: Emilia, noodles, cigar ... sure we like the pussy. In the Pantheon
veltroni want to put more devils and angels less notoriously indefinite sex? Echecazz!
P . S. Yesterday I looked out the window onto the courtyard and I shouted "I'm a pissed off black voters PD and this is not going to take this anymore."
The concierge gave me a smile ... but why is old, does not count.
Wednesday, October 21, 2009
Annnotated Diagram Of Sewing Machine
Drafting the novel ends (it good news?)

finished the last draft of the book, I swear, if he does not shit me off the balcony, because what the hell, should not, by how long have I'm working on, a year? One year ittat 'say, empty agenda, estimate made here, you see that I had better things to do. Anyway, I already know, the courage to throw mica I would have, because I have done too little so far, and my career there would be no benefit. I have to pack everything and send to the editor, and then we'll see, that goes bad paper recycling center that will give me something just to recoup printing costs.
Apart from the crap, now this novel (which I believe lot, and I still believe that, even if they are too exhausted to admit it) has reached such a level of predictability - remember the phrase from memory - I can not honestly judge it. But pretending that the result is disastrous, I found the experience useful, a good training ground to practice the theoretical and practical material accumulated to date. When I begin a new one (at least for the next week and I do not have the intention), I will avoid falling into a pile of ingenuity, which have tripled the amount of work, delaying the whole of CRCA 6 months.
Apart from the crap, now this novel (which I believe lot, and I still believe that, even if they are too exhausted to admit it) has reached such a level of predictability - remember the phrase from memory - I can not honestly judge it. But pretending that the result is disastrous, I found the experience useful, a good training ground to practice the theoretical and practical material accumulated to date. When I begin a new one (at least for the next week and I do not have the intention), I will avoid falling into a pile of ingenuity, which have tripled the amount of work, delaying the whole of CRCA 6 months.
But it is useless to dig up, and then around here tell me that the pessimism does not pay, and I agree, so the ban unnecessary doubts and fears, the book is beautiful, what's wrong, if any, will work out. Mò it will run Linux, and something will happen. Viva la literature!
Friday, October 16, 2009
Cute Saying Or 2nd Birthday
A space for dialogue
Dear friends,
one hand I can not tell me that flattered the unexpected number of daily contacts: it means that you are there and you are fond of this little virtual corner. Second, however, I must register a certain reluctance in the insertion of comments. Yet this blog is born with the idea of \u200b\u200bfostering contact between you and me and among yourselves. Looking for a possible reason, I figured that direct your attention to predetermined topics may be in some way a kind of bond that does not stimulate the impulse to participate actively. For this, I thought of including in a blog space, is not coupled to this or that subject, and I wanted to call it "space for dialogue", which is connected to the label "just talk". Here you can express
your opinion on whatever passes for the mind, as long as relevant to the general nature of the blog and its basic inspiration. In particular, I figured this new space as the street corner, a place where you meet friends who want to chat with each other and want to impress the exchange of mutual respect and willingness to listen and discuss personal opinions which differ from those .
So, as I said earlier, you can talk with me and among you.
Obviously, I assume that my readers do not abusing the occasion and the temptations offered by anonymity. In any case, I'll load the role of moderator and to intervene where necessary.
Benefit the occasion and give a kick to the timidity or indifference. Think that it is unnecessary to write, "so someone else will" is a mistake: what we have to tell us, as we think, can not do it any more.
soon, then: the street corner waiting for us.
Dear friends,
one hand I can not tell me that flattered the unexpected number of daily contacts: it means that you are there and you are fond of this little virtual corner. Second, however, I must register a certain reluctance in the insertion of comments. Yet this blog is born with the idea of \u200b\u200bfostering contact between you and me and among yourselves. Looking for a possible reason, I figured that direct your attention to predetermined topics may be in some way a kind of bond that does not stimulate the impulse to participate actively. For this, I thought of including in a blog space, is not coupled to this or that subject, and I wanted to call it "space for dialogue", which is connected to the label "just talk". Here you can express
your opinion on whatever passes for the mind, as long as relevant to the general nature of the blog and its basic inspiration. In particular, I figured this new space as the street corner, a place where you meet friends who want to chat with each other and want to impress the exchange of mutual respect and willingness to listen and discuss personal opinions which differ from those .
So, as I said earlier, you can talk with me and among you.
Obviously, I assume that my readers do not abusing the occasion and the temptations offered by anonymity. In any case, I'll load the role of moderator and to intervene where necessary.
Benefit the occasion and give a kick to the timidity or indifference. Think that it is unnecessary to write, "so someone else will" is a mistake: what we have to tell us, as we think, can not do it any more.
soon, then: the street corner waiting for us.
Monday, October 12, 2009
Prescchool Consultant
The lady of the village: the historical context
Abstract
One of my college professor used to say that Plato's ideas are there, hanging like provolone, in the sense that he believes would not have a base or a contiguity with what it should achieved. In short, a colorful and tasty way to say they are plucked out of thin air.
I do not let me enter into the details (I will not doing an injustice to Plato and even salacious to my teacher), not only would that events and characters in the novel also became provolone going to keep company with those already pending. I mean, like the characters and events of a play they need a background scene on which to project, so will those of a novel: the reader must be able to immediately place in a nebulous and without well-defined time. Otherwise how do you imagine them living and concrete ...
For this, I have decided to enhance the blog with some information pertaining to the historical time and places as they were for the time covered by the narrative, the heroic assumption that my visitor do not be discouraged at the first lines and has the patience to go through with it.
The political situation in Italy at the end of the fifteenth
The period covered by the narrative, which stretches between 1490 and 1494, is marked by some important events: first of all, the discovery of land beyond the ocean The death of Lorenzo de 'Medici in Florence and the ascent to the papacy of Pope Rodrigo Borgia with the name of Alexander VI. Unlike other European nations, where they were consolidating large power plants, Italy is fragmented into a plethora of smaller states including the most important political influence and by extension, are:
the Kingdom of Naples, extending from the Abruzzi to Sicily and Sardinia, the expression of Aragonese monarchy;
the Papal States, including approximately Lazio, Marche and Emilia-Romagna;
the republic of Florence, subject to the rule of the Medici;
the Duchy of Milan, ruled by the Sforza dynasty, which covers almost all the current Lombardy until they touch, in the southern part, the Florentine Republic;
the Venetian Republic, which boasts a stable government attitude, and prosecute such so a policy of supremacy.
Other sovereign entities are the Duke of Mantua, ruled by the Gonzaga, the Duke of Ferrara, submitted to the lordship of Este, the Republic of Genoa, the little Republic of Lucca and Siena.
As regards the narrative, it should focus attention on the rule of the Church which is subject to a condition that distinguishes it further from political entities listed above. The central problem is the fact that in Rome there could be a dynasty, and this undoubtedly weakened the central power. In fact, the individual rulers of the Papal States, who held power in this or that city, are the latest offshoot of the feudal system, in practice they saw as the principles of independent and therefore not inclined to submit to central authority . This state of affairs was compounded by a further element of weakness: the adoption by the pontiff of a nepotism policy which, rather than aim to distribute offices and ecclesiastical offices to their relatives, tended to be within the same state of independent domains, and the staff assigned to the family of the pope. In this regard, is emblematic of the role played by Rodrigo Borgia (Pope Alexander VI) in favor of his son Cesare Borgia (the Duke Valentino). It's worth mentioning that the pope in question was already heavily discussed on charges that he stole the papal throne as a result of practices of simony.
endemic instability of the Italian states is exacerbated by the death Lorenzo de 'Medici, who goes to break the delicate balancing act all hinged on the cooperation between Milan, Florence and Naples. The disappearance of the lord of Florence makes an agreement more difficult the already poor due to progressive deterioration of relations between the efforts and the Kingdom of Naples. All this happens just before entry into Italy of Charles VIII, king of a strong French army of about four thousand men, whose assistance is invoked by those opposed to the Sforza family, the Medici family, the same Aragonese and finally to the Borgias .
La Marca Anconetana at the close of the fifteenth century
The Marche region is further fragmentation within the already fragmented the Papal States and the skirmishes between the different families vie for dominance are not uncommon. To ensure a modicum of stability, if not drive, ensure the Constitutions Egidiane, existing since 1357 and promulgated in Fano by the cardinal Egidio Albornoz, vicar general of the Papal States.
The Constitutions, a collection of laws are divided into six books. These, in addition to listing the papal provisions enacted over time, tend to govern relations between the various lords and between them and the papacy.
The territories are broken up into lordships of the March which refer to the most important families of the time, they are: the
Malatesta in Rimini and Pesaro. They obtained the lordship in 1295 and held it until 1503, when it fell to
by Cesare Borgia. One of the most prominent family, Roberto Malatesta, was seen on several occasions to fight alongside Federico da Montefeltro, the second daughter who had married the widow Elizabeth then remained in 1482. After the mourning, Elizabeth withdrew to the convent of Poor Clares at Urbino.
Elisabetta da Montefeltro is one of the secondary characters of the novel: the period of his stay in the convent of Urbino covering the period of the narrative, coinciding, and historically established, are also some details of which will be commented on in the novel, the
Montefeltro at Urbino, where the rule was consolidated from 1234. By Federico da Montefeltro of Urbino, the city experienced a period of great splendor and prestige of the Montefeltro is increased, so much so that in 1444 what was originally a county became a duchy. In 1472, Frederick succeeded by his son Guidubaldo (also mentioned in the narrative), which remains in power until 1502, when the lands of the Duchy are invaded by Cesare Borgia;
the da Varano, lords of Camerino since 1259. Achieved its peak at the end of '400.
Camerino is a town full of cultural ferment and can boast a prestigious university, the whose fame is mainly due to the extraordinary flowering of legal studies. Witness, for example by Cino da Pistoia, reported that it was not uncommon to find law schools active even in the villages.
The economy of the brand is thriving, partly because the period was marred by the alternation of the plagues which are to gradually deplete the workforce. The exception, within a social and economic context if not depressed, certainly not healthy, it is perhaps represented by Macerata, freed from the yoke in the middle of the century, the Sforza, submits again to the Church In change ' permanent institution of the General Court of Rector of the Church and the Holy of officially becoming the capital of the Marches of Ancona. Has since been kicked off the city's transformation from predominantly agricultural center, evolves in bureaucratic and political center of the region. It is in that same period that witnessed a massive influx of immigrants in the territories that brings a plethora of Macerata employees, notaries, judges, soldiers, clergymen, but also tales and characters of dubious reputation.
In any event, the event causes a strong impetus to economic and urban development: the influx of Lombard workers occurred in the early years of the century is the environment for a stable settlement and the initiation of major public works and private.
In summary, except for some excitement due to construction and in particular the construction of new defense systems of major cities - firearms (mostly bombs) had already made their appearance - if it can be concluded that the economy of the territories Marche wheel on the activities of all time: agriculture, handicrafts and trade.
culture and ideas in everyday life in late fifteenth and early sixteenth
Throughout the Middle Ages the only institution that had provided cultural continuity had been the Church. But, when the facts narrated in the novel, from now nearly three centuries there was an event that has revolutionized knowledge, all in anticipation based on the vision of the world dictated by Augustine of Hippo and the Fathers of the Church have rediscovered the works of Aristotle and, with them, its "natural". The nature, ie, be returned to the entity in which the observable phenomena occur and also the testing for some time has become an instrument of knowledge. This new approach has led to separate, however, destroy the natural world, the phenomena that fall under the senses, from the divine world and the supernatural, which remains solely within the purview of God and of His only Son. In this world, inscrutable and inaccessible to the human, the only legitimate and intermediaries are the Church and her ministers. Except that, when the facts narrated in the novel and for many decades, the corruption of the Church and its structures of government is there for all to see: nepotism, simony, clerical rapacity of a greedy and insatiable fed on the fracture created philosophical level, transfer made in the size of the newspaper. If the learned world is felt the need to reassemble matter and spirit (the flowering of ideas and Neoplatonic magic spreads to generate defections in the same body of the Church), in the minds of ordinary people the unknowable large open spaces in the commemoration of beliefs practices and mold free. And so, if not witchcraft, surely the folk magic, astrology (which by the way it is taught in universities on a par with other disciplines), alchemy and a whole set of empirical practices become archaic and ancestral heritage of everyday life.
In particular, the territory of central Italy and the Umbrian-Marche these practices are hugely popular: in 1452 the entire population of Montemonaco, a country of the Sibillini Mountains, from the outset to the end of the common people, is processed with accused of having given hospitality to throngs of necromancers and having participated in itself a practical wizards. Luckily of the population, the process ends with an acquittal in general than we were able to collect and present objective evidence to support prosecution. What
the formal rigor of the processes is another aspect of which take into account: the historical results show beyond doubt that the more that the courts of the Inquisition, were those of secular justice to produce the largest number of convictions followed by capital punishment. In general, the inquisitor was motivated by an interest, we would say so, anthropology: the aim was to understand the nature of deviance and the causes that had produced it, with the main objective of verifying if there were spaces for the recovery of the accused and his reintegration into the body of the Church. On the other hand, it is also true that the Church had something else to worry about than not considered practical for the legacy of a more superstitious mentality, and ultimately harmless. Nevertheless, we must not forget that even in the second half of the century (between 1486 and 1487, to be precise) is written by two Dominicans the infamous Malleus Maleficarum, a true manual as guidance for the recognition of witches, real or alleged to be.
In a nutshell, and even with all the approximations that only the speed of the survey can perhaps justify, the track here is the background on which the project life and adventures of the characters in the novel at this point is hope that the future reader, reading it, did not bear the feeling of having to deal with entities suspended in midair. Like
provolone, exactly.
Abstract
One of my college professor used to say that Plato's ideas are there, hanging like provolone, in the sense that he believes would not have a base or a contiguity with what it should achieved. In short, a colorful and tasty way to say they are plucked out of thin air.
I do not let me enter into the details (I will not doing an injustice to Plato and even salacious to my teacher), not only would that events and characters in the novel also became provolone going to keep company with those already pending. I mean, like the characters and events of a play they need a background scene on which to project, so will those of a novel: the reader must be able to immediately place in a nebulous and without well-defined time. Otherwise how do you imagine them living and concrete ...
For this, I have decided to enhance the blog with some information pertaining to the historical time and places as they were for the time covered by the narrative, the heroic assumption that my visitor do not be discouraged at the first lines and has the patience to go through with it.
The political situation in Italy at the end of the fifteenth
The period covered by the narrative, which stretches between 1490 and 1494, is marked by some important events: first of all, the discovery of land beyond the ocean The death of Lorenzo de 'Medici in Florence and the ascent to the papacy of Pope Rodrigo Borgia with the name of Alexander VI. Unlike other European nations, where they were consolidating large power plants, Italy is fragmented into a plethora of smaller states including the most important political influence and by extension, are:
the Kingdom of Naples, extending from the Abruzzi to Sicily and Sardinia, the expression of Aragonese monarchy;
the Papal States, including approximately Lazio, Marche and Emilia-Romagna;
the republic of Florence, subject to the rule of the Medici;
the Duchy of Milan, ruled by the Sforza dynasty, which covers almost all the current Lombardy until they touch, in the southern part, the Florentine Republic;
the Venetian Republic, which boasts a stable government attitude, and prosecute such so a policy of supremacy.
Other sovereign entities are the Duke of Mantua, ruled by the Gonzaga, the Duke of Ferrara, submitted to the lordship of Este, the Republic of Genoa, the little Republic of Lucca and Siena.
As regards the narrative, it should focus attention on the rule of the Church which is subject to a condition that distinguishes it further from political entities listed above. The central problem is the fact that in Rome there could be a dynasty, and this undoubtedly weakened the central power. In fact, the individual rulers of the Papal States, who held power in this or that city, are the latest offshoot of the feudal system, in practice they saw as the principles of independent and therefore not inclined to submit to central authority . This state of affairs was compounded by a further element of weakness: the adoption by the pontiff of a nepotism policy which, rather than aim to distribute offices and ecclesiastical offices to their relatives, tended to be within the same state of independent domains, and the staff assigned to the family of the pope. In this regard, is emblematic of the role played by Rodrigo Borgia (Pope Alexander VI) in favor of his son Cesare Borgia (the Duke Valentino). It's worth mentioning that the pope in question was already heavily discussed on charges that he stole the papal throne as a result of practices of simony.
endemic instability of the Italian states is exacerbated by the death Lorenzo de 'Medici, who goes to break the delicate balancing act all hinged on the cooperation between Milan, Florence and Naples. The disappearance of the lord of Florence makes an agreement more difficult the already poor due to progressive deterioration of relations between the efforts and the Kingdom of Naples. All this happens just before entry into Italy of Charles VIII, king of a strong French army of about four thousand men, whose assistance is invoked by those opposed to the Sforza family, the Medici family, the same Aragonese and finally to the Borgias .
La Marca Anconetana at the close of the fifteenth century
The Marche region is further fragmentation within the already fragmented the Papal States and the skirmishes between the different families vie for dominance are not uncommon. To ensure a modicum of stability, if not drive, ensure the Constitutions Egidiane, existing since 1357 and promulgated in Fano by the cardinal Egidio Albornoz, vicar general of the Papal States.
The Constitutions, a collection of laws are divided into six books. These, in addition to listing the papal provisions enacted over time, tend to govern relations between the various lords and between them and the papacy.
The territories are broken up into lordships of the March which refer to the most important families of the time, they are: the
Malatesta in Rimini and Pesaro. They obtained the lordship in 1295 and held it until 1503, when it fell to
by Cesare Borgia. One of the most prominent family, Roberto Malatesta, was seen on several occasions to fight alongside Federico da Montefeltro, the second daughter who had married the widow Elizabeth then remained in 1482. After the mourning, Elizabeth withdrew to the convent of Poor Clares at Urbino.
Elisabetta da Montefeltro is one of the secondary characters of the novel: the period of his stay in the convent of Urbino covering the period of the narrative, coinciding, and historically established, are also some details of which will be commented on in the novel, the
Montefeltro at Urbino, where the rule was consolidated from 1234. By Federico da Montefeltro of Urbino, the city experienced a period of great splendor and prestige of the Montefeltro is increased, so much so that in 1444 what was originally a county became a duchy. In 1472, Frederick succeeded by his son Guidubaldo (also mentioned in the narrative), which remains in power until 1502, when the lands of the Duchy are invaded by Cesare Borgia;
the da Varano, lords of Camerino since 1259. Achieved its peak at the end of '400.
Camerino is a town full of cultural ferment and can boast a prestigious university, the whose fame is mainly due to the extraordinary flowering of legal studies. Witness, for example by Cino da Pistoia, reported that it was not uncommon to find law schools active even in the villages.
The economy of the brand is thriving, partly because the period was marred by the alternation of the plagues which are to gradually deplete the workforce. The exception, within a social and economic context if not depressed, certainly not healthy, it is perhaps represented by Macerata, freed from the yoke in the middle of the century, the Sforza, submits again to the Church In change ' permanent institution of the General Court of Rector of the Church and the Holy of officially becoming the capital of the Marches of Ancona. Has since been kicked off the city's transformation from predominantly agricultural center, evolves in bureaucratic and political center of the region. It is in that same period that witnessed a massive influx of immigrants in the territories that brings a plethora of Macerata employees, notaries, judges, soldiers, clergymen, but also tales and characters of dubious reputation.
In any event, the event causes a strong impetus to economic and urban development: the influx of Lombard workers occurred in the early years of the century is the environment for a stable settlement and the initiation of major public works and private.
In summary, except for some excitement due to construction and in particular the construction of new defense systems of major cities - firearms (mostly bombs) had already made their appearance - if it can be concluded that the economy of the territories Marche wheel on the activities of all time: agriculture, handicrafts and trade.
culture and ideas in everyday life in late fifteenth and early sixteenth
Throughout the Middle Ages the only institution that had provided cultural continuity had been the Church. But, when the facts narrated in the novel, from now nearly three centuries there was an event that has revolutionized knowledge, all in anticipation based on the vision of the world dictated by Augustine of Hippo and the Fathers of the Church have rediscovered the works of Aristotle and, with them, its "natural". The nature, ie, be returned to the entity in which the observable phenomena occur and also the testing for some time has become an instrument of knowledge. This new approach has led to separate, however, destroy the natural world, the phenomena that fall under the senses, from the divine world and the supernatural, which remains solely within the purview of God and of His only Son. In this world, inscrutable and inaccessible to the human, the only legitimate and intermediaries are the Church and her ministers. Except that, when the facts narrated in the novel and for many decades, the corruption of the Church and its structures of government is there for all to see: nepotism, simony, clerical rapacity of a greedy and insatiable fed on the fracture created philosophical level, transfer made in the size of the newspaper. If the learned world is felt the need to reassemble matter and spirit (the flowering of ideas and Neoplatonic magic spreads to generate defections in the same body of the Church), in the minds of ordinary people the unknowable large open spaces in the commemoration of beliefs practices and mold free. And so, if not witchcraft, surely the folk magic, astrology (which by the way it is taught in universities on a par with other disciplines), alchemy and a whole set of empirical practices become archaic and ancestral heritage of everyday life.
In particular, the territory of central Italy and the Umbrian-Marche these practices are hugely popular: in 1452 the entire population of Montemonaco, a country of the Sibillini Mountains, from the outset to the end of the common people, is processed with accused of having given hospitality to throngs of necromancers and having participated in itself a practical wizards. Luckily of the population, the process ends with an acquittal in general than we were able to collect and present objective evidence to support prosecution. What
the formal rigor of the processes is another aspect of which take into account: the historical results show beyond doubt that the more that the courts of the Inquisition, were those of secular justice to produce the largest number of convictions followed by capital punishment. In general, the inquisitor was motivated by an interest, we would say so, anthropology: the aim was to understand the nature of deviance and the causes that had produced it, with the main objective of verifying if there were spaces for the recovery of the accused and his reintegration into the body of the Church. On the other hand, it is also true that the Church had something else to worry about than not considered practical for the legacy of a more superstitious mentality, and ultimately harmless. Nevertheless, we must not forget that even in the second half of the century (between 1486 and 1487, to be precise) is written by two Dominicans the infamous Malleus Maleficarum, a true manual as guidance for the recognition of witches, real or alleged to be.
In a nutshell, and even with all the approximations that only the speed of the survey can perhaps justify, the track here is the background on which the project life and adventures of the characters in the novel at this point is hope that the future reader, reading it, did not bear the feeling of having to deal with entities suspended in midair. Like
provolone, exactly.
Saturday, October 10, 2009
My Newborn Has Phlegm
Something more about the plot
Dear friends,
as I told you here and there, I put this post to give you some more clue about the plot of the novel. But I warn you that you will be satisfied with this, because otherwise I can not (and do not prefer) to do. So, enjoy this little waiting for more ...
Daughter of small artisans in a small village in the Marches, Giselle is not resigned to fate that the company of the early Renaissance to trace a woman of humble circumstances. The meeting with Eliside, Mrs., marks the turning point and the young at just sixteen, he started a journey that will eradicate from their origins to lead gradually to identify with a female size archaic as unimaginable. But the path set by fate not linear, and a journey just begun, Giselle's life is intertwined with the trajectories of other lives. So, for the case involved in an act of violence, the young woman is wrapped in a tangle of events punctuated by a series of mysterious deaths of up to face the Inquisition on charges of heresy and the practice of magic.
Dear friends,
as I told you here and there, I put this post to give you some more clue about the plot of the novel. But I warn you that you will be satisfied with this, because otherwise I can not (and do not prefer) to do. So, enjoy this little waiting for more ...
Daughter of small artisans in a small village in the Marches, Giselle is not resigned to fate that the company of the early Renaissance to trace a woman of humble circumstances. The meeting with Eliside, Mrs., marks the turning point and the young at just sixteen, he started a journey that will eradicate from their origins to lead gradually to identify with a female size archaic as unimaginable. But the path set by fate not linear, and a journey just begun, Giselle's life is intertwined with the trajectories of other lives. So, for the case involved in an act of violence, the young woman is wrapped in a tangle of events punctuated by a series of mysterious deaths of up to face the Inquisition on charges of heresy and the practice of magic.
Thursday, October 8, 2009
13 Year Old Son Bathed
What a disappointment Italian cinema

This year we are looking forward triad Italian fashion show at the Venice Film Festival and came home without the approval of a bill (actors separately). And do not expect much because the film I had seemed very bright through the media channels in which I lived through the previews (trailers, articles, lively discussions among television critics), the elements on which it relied were leaving my hopes strong signals from the past year "Gomorra" and "Il Divo," which seemed to have launched a pebble into the lake from which tin of Italian cinema, do not say were to develop a tidal wave and unstoppable, but at least he went a modest current towards an inexorable recovery (albeit slow) of the whole environment. Instead I feel disillusioned now as ever, and I start to think that the phenomena Garrone and Sorrentino (whose last film are not beautiful and not even their best work) are an isolated case rather than a sign of recovery. If I am under the illusion that something was going to happen, well, I know I messed bad.
The great dream: the film Placido and adolescent, as if wanting to give a compliment. The direction is good, as it was in "Romanzo Criminale", what is lacking compared to that film is a script of some consistency (and here it is time for manufacturers by requiring directors to rely on professional writers for the text, instead leave them at the mercy of their crazy inspiration often comes down to arrange stuff with felt here and there). The story unfolds like this: one day there is a normal life, another day a child is rejected in a test and ... 68! But the most annoying thing is that the characters are absolutely stereotyped, and thus the dialogues are banal and predictable, coming to elicit in the viewer a sense of tenderness toward the actors, tenderness that turns into anger, pity or even in the event of proven relationship with a member of the company. The film takes a bit 'last half hour, after a couple of plot twists, but it's too late. I swear that after the first ten minutes I wanted to get up and go home, feeling that I had tried before, only with "The Hand of God" Risi son. Placido
passed after the festival to scream (correctly) against attacks coming from members of government, and not dwarves, not knowing that the controversy is just a public success otherwise inexplicable, because I doubt that word of mouth has helped.
I read an article that spoke ill of the film, but which explained the extenuating circumstances in the title How difficult it is to tell the 68 '. I beg to differ. Without reference to the masterpieces of neo-realism able to concentrate in the history of an individual suffering of a whole historical period, I will tell you: beware of "Milk." The themes are similar: the mass movement and political revolution, in an environment steeped in bigotry and skepticism, the boarding only with gays instead of the Marxists. The film is a moving masterpiece, which has the merit of never take for granted the knowledge of the events.
Baarìa : the speech Tornatore is different. If that Placido is a bad film failed, this is a film that could get better. During the first hour and a half I have witnessed Tornatore already seen and appreciated, master of a poetic style that becomes a brand, a key capable of dragging the audience at the treasure chest in which lies the secret past of the director. At the break I thought it impossible that the film might lose the Oscar, and yet after watching the second hour and a half I'm sure you will lose. In practice Tornatore, who at the first break has almost exhausted the story of generational change, has the bad idea even reach the third generation. The movie is accelerated abrupt and unnatural, which leads him to touch all of smear the events of Italian history up to the present day ... and then come back! At that point the public is really tired. I felt lucky to live in 2010, because if the Italian history had lasted another 30 years, the film would go on for another hour.
The second part of the story is boring, and especially unnecessary since it is used by the director to pull too many hooks launched earlier (lost magic items, etc..) To which the viewer does not feel the need to take the bait because it was absolutely forgotten, or at least, he had already seemed poetic and perfect in their imperfection. Once again the range of the manufacturer would be appreciated.
Making a comparison with "Cinema Paradiso", then there is the weakness of the objective of the protagonist, who seems not to drag the audience. If in fact the dream of becoming a director succeeds in involving the audience for its universal character, to become political only at the beginning is seen as a pure dream, while the second part is fouled by the impact with reality, and then becomes almost wanted to get more than willing to be, to do, and this happens without the protagonist suffers a conscious change. As we feel our bond with the film, our involvement has ceased, until fails. Only now do I explain
the uncertainty with which many critics commented on the film, probably buffeted between the show's first half and that of the second. It is impossible to recommend for or against. Go see it and get an idea.
The third film "Cosmonaut" (telling me to be more successful) I refused to see him, because it focuses on the same historical period of the other two, and there is a limit to the monotony.
The great dream: the film Placido and adolescent, as if wanting to give a compliment. The direction is good, as it was in "Romanzo Criminale", what is lacking compared to that film is a script of some consistency (and here it is time for manufacturers by requiring directors to rely on professional writers for the text, instead leave them at the mercy of their crazy inspiration often comes down to arrange stuff with felt here and there). The story unfolds like this: one day there is a normal life, another day a child is rejected in a test and ... 68! But the most annoying thing is that the characters are absolutely stereotyped, and thus the dialogues are banal and predictable, coming to elicit in the viewer a sense of tenderness toward the actors, tenderness that turns into anger, pity or even in the event of proven relationship with a member of the company. The film takes a bit 'last half hour, after a couple of plot twists, but it's too late. I swear that after the first ten minutes I wanted to get up and go home, feeling that I had tried before, only with "The Hand of God" Risi son. Placido
passed after the festival to scream (correctly) against attacks coming from members of government, and not dwarves, not knowing that the controversy is just a public success otherwise inexplicable, because I doubt that word of mouth has helped.
I read an article that spoke ill of the film, but which explained the extenuating circumstances in the title How difficult it is to tell the 68 '. I beg to differ. Without reference to the masterpieces of neo-realism able to concentrate in the history of an individual suffering of a whole historical period, I will tell you: beware of "Milk." The themes are similar: the mass movement and political revolution, in an environment steeped in bigotry and skepticism, the boarding only with gays instead of the Marxists. The film is a moving masterpiece, which has the merit of never take for granted the knowledge of the events.
Baarìa : the speech Tornatore is different. If that Placido is a bad film failed, this is a film that could get better. During the first hour and a half I have witnessed Tornatore already seen and appreciated, master of a poetic style that becomes a brand, a key capable of dragging the audience at the treasure chest in which lies the secret past of the director. At the break I thought it impossible that the film might lose the Oscar, and yet after watching the second hour and a half I'm sure you will lose. In practice Tornatore, who at the first break has almost exhausted the story of generational change, has the bad idea even reach the third generation. The movie is accelerated abrupt and unnatural, which leads him to touch all of smear the events of Italian history up to the present day ... and then come back! At that point the public is really tired. I felt lucky to live in 2010, because if the Italian history had lasted another 30 years, the film would go on for another hour.
The second part of the story is boring, and especially unnecessary since it is used by the director to pull too many hooks launched earlier (lost magic items, etc..) To which the viewer does not feel the need to take the bait because it was absolutely forgotten, or at least, he had already seemed poetic and perfect in their imperfection. Once again the range of the manufacturer would be appreciated.
Making a comparison with "Cinema Paradiso", then there is the weakness of the objective of the protagonist, who seems not to drag the audience. If in fact the dream of becoming a director succeeds in involving the audience for its universal character, to become political only at the beginning is seen as a pure dream, while the second part is fouled by the impact with reality, and then becomes almost wanted to get more than willing to be, to do, and this happens without the protagonist suffers a conscious change. As we feel our bond with the film, our involvement has ceased, until fails. Only now do I explain
the uncertainty with which many critics commented on the film, probably buffeted between the show's first half and that of the second. It is impossible to recommend for or against. Go see it and get an idea.
The third film "Cosmonaut" (telling me to be more successful) I refused to see him, because it focuses on the same historical period of the other two, and there is a limit to the monotony.
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