Nick Jonas En El Hospital 2010

Writers

Last week I received two emails almost identical, which address this issue: the transition from writing fiction to screenwriting, both considered a career as a writer as the only alternative to eternal hunger. As in recent years I have felt a deep interest in the world of screenwriting (more playful and economic interest), and since not very much agree with the conclusion reached by the mail, I take this opportunity to talk about it. Preface: I am not a writer nor an insider, express opinions based on my experience and information I have gathered around. Thanks dear.

In my opinion, the first hurdle is whether we are capable of writing screenplays, in the sense that it always turns out to be a good writer a good writer, and of course the opposite also applies. Much depends on our approach to the text, the script is a business much more technical than a novel. In a book, beyond a set of rules that is a good rule to follow, the general map tends to bend easily to the will of the writer, while the script is more rigid, due to the phase where it is scanned (subject, treatment, screenplay). Define the characters in the subject, action, plot. It is one of the most creative (in practice you have a blank sheet of paper and you write what happens), a book with the only difference is that you must not make the steps of history "letter." We are talking about a text than 4-5 typed pages long, so it is easy to understand how important it is to say a lot with less words as possible. This is an advantage for some writers because you get straight to the point, for others it is frustrating because they see their own style disintegrate. For me, I think it is just taking a different perspective: the brand style not bind more to the words, but directly to the events of history. Our personality penetrates through what happens in the story (in fact it should happen in a novel, those in best case). This sounds easy and nice, but the change is radical: we can not enter in the characters and explain them, we make visible their feelings, so we must think only in terms of action. What I do not see it happens. To ensure that the public See and hear all the most important stages of the film, we have to design exactly the order and hierarchy of events. It is impossible to rely on improvisation. Thus, the variables involved in determining our propensity to this kind of writing are: (A) the ability to structure a plot, (B) methodical approach to the text (not to Kerouac, so to speak). If you lack these qualities, forget it.

Once knocked off the treatment, we move to the dialogue of the screenplay, which are the most fun. Here we return to the roots, because the scenes dialogues are something that we already have a strong experience, both as readers and as writers. When it was over though, there's something wrong. What we've got? Perhaps our work is good, or maybe not, the fact is that it is still a work in half. It will take one more step to transform it into a movie director. A bad director can ruin a great script, a good director can also be resized by a cast of bad actors, or a bad setting, or simply by a reduced Baget. The variables are many and difficult to control. The problem of a writer when working in the field of cinema, is to accept the idea of \u200b\u200bits partiality (problem does not arise in the literature, because the writer is a God that controls virtually everything). Perhaps this is the hardest part. On the other hand, you share the responsibility of failure with a number of people, which is not bad. It is a matter of point of view, it is important to understand that these are two forms of writing related, but very different.

economic side. There is no doubt that it is easier to get rich writing for the cinema, especially given the work / Compensation, in the literature that hangs dramatically from the wrong side. But how much work there? In Italy we produce so so many movies? I think not. It is plausible to argue that there are hundreds of writers who would like to thank God if you have the opportunity to work once a year. A market is certainly the most prosperous of fiction, but here the fees are lower, and then it is a narrative scheme in some respects different from the movies, in the case of serial products. Then another study, another job application.

To sum up, if you plan to switch from one bank to another just to get easy money, forget it. As in literature, there is a lot of people that wants to emerge, and at best is more motivated and prepared for you. Do this only if fed a passion sincere to the cinema and the work of writing, as well as having a strong will to learn.

For those interested, I suggest two basic manuals to read in this order:
1) the hero's journey, Vogler, Dino Audino Editore
2) HOW TO WRITE A GREAT SCRIPT, Seger, Dino Audino publisher (not be fooled by the title, is a wonderful manual)

For more information (schools, competitions, etc ...) http://www.sceneggiatori.com/

Soul Silver Walkthrough R4

AAA work wanted

But I say I, a poor Christian like me - that to be honest it is just shit the fuck to live with his sister and mother hysterical pain in the ass, whose characteristics are different, however, an interesting point of contact in the absolute inability to follow a logical discourse, even a simple one, that goes from point A to a point B without wanting to then want to consider the enormous dangers that you celerebbero in having to determine a third point C, or, God forbid, even a diabolical point D -, I said, what the fuck should I do to find a shred of work which earn just enough to lead a decent life?

And yet, on reflection, I do not miss anything. I do not have the degree, but they are well under way, I've never had an education, and believe me ever the chance comes to do with one, and my health is equivalent to that of a myocardium 50.

In practice, I can only parliamentarian! But politics makes me sick, and so the problem continues to recur. Also, I note that this does not feel like doing shit, then why it is urgent to find one of those jobs where only your leaders are convinced that you are struggling, those in which the delivery of the salary you invade the glorious feeling of having just robbing a helpless old woman. If anyone had occasional reports of such work, tell me as soon as possible, and I will endeavor to pay 1 / 4 of my salary in respect of condoms Thai purchased at half price on the internet (I've got to recycle the ones with holes).

Broken Capillaries Face, Toddlers

Examinations: it's over!

collection points to the wisdom of Rome has finally given a positive result, so, at least for this year's tests do not talk about it anymore. This means that for a couple of months I can put myself in being a writer? Well, aside from the thesis, I guess so. Today I had the first contact with the novel that I had left to cool and, besides the certainty of all its problems in the middle, I also had confirmation that the rest is its consistency, and realizing after a gap of one month, I filled with motivation. Today I make a good program from work, so I hope to finish it within a couple of months (meglio3). The problem will be to readjust the stuff that is good enough that way, but that does not bind to the Party Central. What annoys me a bit, actually.

Saddo ago.